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";s:4:"text";s:7893:"The lyrics are as follows: Cold empty bed...springs hurt my headFeels like ole ned...wished I was deadWhat did I do...to be so black and blueEven the mouse...ran from my houseThey laugh at you...and all that you doWhat did I do...to be so black and blueIm white...inside...but, that dont help my caseThats life...cant hide...what is in my faceHow would it end...aint got a friendMy only sin...is in my skinWhat did I do...to be so black and blueHow would it end...i aint got a friendMy only sin...is in my skinWhat did I do...to be so black and blue. The song peaked at #1 on the US Mainstream Rock charts and #78 on the Billboard Hot 100. He endured much criticism from both white and black audiences during his career. "[3], "All 131 Van Halen Songs, Ranked From Worst to Best A look back at the band's formidable legacy", https://en.wikipedia.org/w/index.php?title=Black_and_Blue_(Van_Halen_song)&oldid=983147369, Billboard Mainstream Rock number-one singles, Songs written by Michael Anthony (musician), Creative Commons Attribution-ShareAlike License, This page was last edited on 12 October 2020, at 14:40. Has helped me develop my thoughts further. [1] and #1 on the Billboard Album Rock Tracks chart,[2], Chuck Klosterman of Vulture.com ranked it the 97th-best Van Halen song, noting that "in 1990, New Hampshire high school employee Pamela Smart used this plodding OU812 track to sexually seduce a 15-year-old male student, later convincing the teen to murder her husband. Retrospective reviews from more recent publications such as AllMusic have been kinder to the album, with critic Stephen Thomas Erlewine stating that the album's "being longer on grooves and jams than songs" ended up being "what's good about it".[3]. Blue on Black by Smith & Myers (Ft. Kenny Wayne Shepherd). It was the first single released from the album, peaking at #34 on the Billboard Hot 100. and #1 on the Billboard Album Rock Tracks chart,. Whisper on a scream Don't bring you back Written by Shepherd with songwriters Mark Selby and Tia Sillers; Noah Hunt provides the lead vocal. Assistant engineers – Jeremy Gee, Dave Richards, Tapani, Steve Dowd, This page was last edited on 20 October 2020, at 12:35. She noticed the two colors that were dominant on my shirt, and if you mix those two colors together, black consumes the blue. Doesn't change a thing Blue on black, oh yeah, blue on black Doesn't change a thing Blue on black, oh yeah, blue on black "Cherry Oh Baby" (which was a cover version of Eric Donaldson's 1971 reggae song) would be the only song from the upcoming album sporadically played on the 1975 Tour of the Americas. A mouse, something associated with the poorest of living conditions, was not even willing to share the poor status of Louis Armstrong’s house, as he mentions in the second verse. All tracks are written by Mick Jagger and Keith Richards, except where noted. To customize this message, please go to your HTML edition and find these lines. [Chorus] Joker on jack, match on a fire White people mistreated Louis Armstrong through discriminatory practices of the time and some black people frowned on him for being an “Uncle Tom”, (because of how he portrayed himself in relation to white people during shows and concerts). Apart from the ballads, there might not be many memorable tunes, but there are times that you listen to the Stones just to hear them play, and this is one of them. Oppression can leave a person feeling helpless, as if they “ain’t got a friend”. As he was literally skilled, the message was set up very consciously. The example he uses is a ragged bed with not enough cushion to cover up the springs and set in a cold room. Among the hopefuls were Steve Marriott, Harvey Mandel, Wayne Perkins, Peter Frampton, and Ronnie Wood (although only Mandel, Perkins and Wood's guitar work would appear on the finished album). Cold on ice, it's a dead man's touch Which is, after all, the point. "[2] Numerous guitarists showed up to auditions; those who appeared on the album were Wayne Perkins, Harvey Mandel, and Ronnie Wood. And that’s one of those songs. As this is a Waller/Razaf song, Andy Razaf wrote the lyrics. Because of how society has been set up by the white man, it has been instituted that to be white is normal. It was introduced in the Broadway musical Hot Chocolates by Edith Wilson. It doesn’t amount to anything if you put the two together: You still have one color, instead of creating a new color. Doesn't bring you back Richards said of the album that it was used for "rehearsing guitar players, that's what that one was about. Hey, blue on black, tears on a river While all the album's songs except "Cherry Oh Baby" were officially credited to Jagger/Richards as authors, the credit for "Hey Negrita" specifies "Inspiration by Ron Wood" and "Melody" lists "Inspiration by Billy Preston". 8 Number 2 July 1976 "State of the Art: Bland on Bland", "Slave" and "Worried About You" recorded during sessions in January–February 1975, Christgau's Record Guide: Rock Albums of the Seventies, "Robert Christgau: CG: The Rolling Stones", https://www.lilianpacce.com.br/e-mais/o-design-de-bea-feitler-livro/, "Austriancharts.at – The Rolling Stones – Black and Blue", "Dutchcharts.nl – The Rolling Stones – Black and Blue", "Charts.nz – The Rolling Stones – Black and Blue", "Norwegiancharts.com – The Rolling Stones – Black and Blue", "Swedishcharts.com – The Rolling Stones – Black and Blue", "Rolling Stones | Artist | Official Charts", "British album certifications – The Rolling Stones – Black and Blue", "American album certifications – The Rolling Stones – Black and Blue", Recording Industry Association of America, Muddy Waters & The Rolling Stones Live At The Checkerboard Lounge, Chicago 1981, 25×5: the Continuing Adventures of the Rolling Stones, Olé Olé Olé! "Louis Armstrong was also in the same show, and he deftly recontextualized it by knocking off the early lyrics and changing a few of what remained. Two extra tracks recorded in the Rotterdam sessions were later released on 1981's Tattoo You: "Slave" and "Worried About You".[5]. Wikipedia etc talk about the song in a purely factual way. Released in April 1976 — with "Fool to Cry", a worldwide top 10 hit, as its lead single — Black and Blue reached No. The song won Mack the 1996 Grammy Award for Best Country Song, a 1996 Academy of Country Music Award for Song of the Year, a 1997 Country Music Association Awardsnomination for Song of the Year, a 1997 Country Radio Music Awards nomination for Song of the Year, … Edith Wilson was the original singer of it in the show, and recorded a version with more lyrics in the beginning part, where Louis is soloing. Doesn't change a thing Push on a shove, it don't mean much [Chorus] With much work to follow, it was decided to delay the album for the following year and release the Made in the Shade compilation instead. Wrong... can't be undone Satch Plays Fats: The Music of Fats Waller, Louis Armstrong and the Big Bands 1928-1930, The Louis Armstrong Collection, Vol. Oh blue on black, oh blue on black. The Black Gives Way to Blue album was Alice In Chains' first new studio album in nearly fourteen years. Society in the 1920’s treated blacks and whites completely different. Written by Shepherd with songwriters Mark Selby and Tia Sillers; Noah Hunt provides the lead vocal. I'm currently writing my senior thesis on the novel Invisible Man, and this song is in mentioned in the prologue, your analysis here has been more than helpful thank you! Cold on ice, it's a dead man's touch Stylistically, Black and Blue embraces hard rock with "Hand of Fate" and "Crazy Mama"; funk with "Hot Stuff"; reggae with their cover of "Cherry Oh Baby"; and blues with "Melody," featuring the talents of Billy Preston – a heavy contributor to the album. 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